Shifting Personality, Narcissism, and Trauma Among African Immigrants in the Diaspora: A Horneyan Reading of Teju Cole’s Open City
Main Article Content
Abstract
Discourses on African Diaspora literature have mostly hinged on issues of hybridity, displacement, cross-cultural alienation, and Diaspora compromise as essential responses to the condition of the African immigrants in their host country. Such narratives, however, often neglect the importance of individual traits and personality formation as unconscious constructs by African migrants in response to the harsh reality they face, and an attempt to cope with or escape daunting psychosocial stressors that permeate the Diaspora space. This paper interrogates the character formation of the African immigrant in the Diaspora, exemplified in the characters of Julius, Farouq, and Moji, in response to the prevailing social, cultural, political, and economic environment in the Diaspora. Using Karen Horney’s strand of psychoanalysis, the paper accounts for the narcissistic, traumatic, and dynamic identity and personality traits of African Diaspora immigrants in Teju Cole’s Open City, and puts forward the argument that these anti-normative behaviours are a technique adopted to survive incidence of racism and alienation in the Diaspora.
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
References
Abani, Chris. The Face: Cartography of the Void. Restless Books, 2014.
Abrams, Dominic, and Michael A. Hogg. “Collective Identity: Group Membership and Self Conception.” Blackwell Handbook of Social Psychology: Group Processes, edited by Michael A. Hogg and R. Scott Tindale, Blackwell, 2001, pp. 425–460.
Bowie, Malcolm. Psychoanalysis and the Future of Theory. Blackwell Publishers, 1993.
Cole, Teju. Open City. Random House, 2011.
Horney, Karen. Neurosis and Human Growth: The Struggle toward Self-Realization. W. W. Norton & Company, 1950.
---. Self-Analysis. W. W. Norton & Company, 1942.
---. The Neurotic Personality of Our Time. W. W. Norton & Company, 1937.
Johnson, Divya. “A Search for Space: Dislocation and Identity in Amy Tan’s The Kitchen God's Wife.” Galaxy: International Multidisciplinary Research Journal, vol. 2, no. 3, 2013, pp. 1–5.
Leary, Mark R., and June Price Tangney, editors. Handbook of Self and Identity. 2nd ed., Guildford, 2013.
Morrison, Toni. Playing in the Dark: Whiteness and the Literary Imagination. Random House, 1992.
Oyserman, Daphna. “Social Identity and Self-Regulation.” Social Psychology: Handbook of Basic Principles, 2nd ed., edited by Arie W. Kruglanski and E. Tory Higgins, Guildford, 2007, pp. 432–453.
Sacks, Oliver. The Man Who Mistook His Wife for a Hat. Picador Classic, 2015.
Sedikides, Constantine, and Aiden P. Gregg. “Portrait of the Self.” The SAGE Handbook of Social Psychology: Concise Student Edition, edited by Michael A. Hogg and Joel Cooper, SAGE, 2007, pp. 93–122.
Sunden, Emma. Memories Without Borders and The Fugueur as Flaneur in Teju Cole’s Open City. Bachelor’s degree project, Stockholm University, 2012.
Swann, William B., Jr., and Jennifer K. Bosson. “Self and Identity.” Handbook of Social Psychology, 5th ed., vol. 1, edited by Susan T. Fiske, Daniel T. Gilbert, and Gardner Lindzey, Wiley, 2010, pp. 589–628.